The sense of Art

This dissertation is a study on some related questions about the sense of art and children 's development .

本研究分为五个部分对艺术感觉与儿童发展的有关问题进行了探讨。

Thirdly , the sense of art has five main internal characteristics , including emotive , intuitive , productive , perceivable and changeable quality .

第三，艺术感觉具有五种主要的内在特质，即艺术感觉具有情感性、直觉性、生发性、认识性和变化性。

With square layout , ingenious arrangement of view spots , it reaches an effect of wholeness , escalating the sense of art .

空间布局方正，强调立面效果的整体性，巧妙设置景观停留点，提升空间的艺术感观。

Looking for the New Sense of Art to Produce Excellent Works of Children ′ s Literature & About the Highlight of the Awarded Works in the 5th Liaoning Prize for the Excellent Children ′ s Literature

寻找新的艺术感觉，创作儿童文学精品&第五届辽宁优秀儿童文学奖获奖作品亮点探视

To develop the sense of using linguistic art and bring the interrogation to go smoothly with linguistic art of interrogation are very important to develop the interrogation level .

侦查人员提高运用讯问语言艺术的自觉性，并运用讯问语言艺术促使讯问活动顺利进行，是提高讯问水平的重要方面。

Secondly , the occurrence of sense of art will go through several stages , generally speaking , which involves the stage of perceiving artwork and the stage of experiencing artwork .

其次，人们的艺术感觉要经历一些必要的发生阶段，一般来说，艺术感觉的发生都要经过对艺术品的感知、对艺术品的体验两个阶段。

Art comes from life , while higher than life , the sense of reality reflected by art , comes from the real life .

艺术源于生活，高于生活，艺术里体现的生活真实感，是艺术创作中从实际生活中得来的。

The narrow sense of the subject Art is only for artistic principle and inquires into the first problems what is the art and so on from the angle of philosophy and is the foundation regular for all art law .

狭义艺术学特指艺术原理，它是从哲学层面对艺术是什么等元问题做根本性探讨，或者说它是研究各门类艺术规律的基础性规律。

The Lines of the Western Sense of Vision Plastic Art

西方视觉造型艺术之线条

Establish the Jing teach feeling ; The sense of vision art of the race tradition ; Appreciate ; Real results .

设境育情；民族传统视觉艺术；欣赏；实效性。

It analyses the evolution of sign and the sense of original art sign , and explains the character of design sign by sign character , art character and design character .

在分析了符号的演进过程和原始艺术符号的意义来源，从符号特征、艺术特征、设计特征三个层面对艺术设计符号的特征作了阐述。

The colour is a nature beautiful lying inside , also sense of vision art a language for o raw material , sense of vision art must from colour to express , the sense of vision art image must pass the colour to create .

色彩是自然美的中介，更是视觉艺术天然的原料，一切视觉艺术的语言必须由色彩来表达，一切视觉艺术形象必须通过色彩来创造。

In the third chapter , this dissertation researches into the vital significance of the sense of art on children ' sdevelopment .

在第三章中，本研究探讨了艺术感觉对于儿童发展的重要意义。

The author inquires into historical change and contemporary intention of the sense of " popular art " corresponding to this concept ; and meanwhile , gives prominence to an " in termediate " spirit and character between commercial guality and artistry possessed inherently by popular art .

笔者力图探讨与这个概念相对应的大众艺术观念的历史变化和当代内涵的同时，突出大众艺术内在性拥有的一种居间于艺术性和商业性的精神与品格；

Only through post-production , to find the best combination of cohesion , in order to give the sense and the enjoyment of art .

只有通过后期剪辑，找到最佳的排列组合方式进行衔接，才能给人以感官上和艺术上的享受。

In the following two chapters , i.e. , the first and second chapter , the general characteristics of the sense of art of adults and children are preliminarily described .

在第一章和第二章中，本研究初步描述了成人和儿童艺术感觉的总体特征。

Beginning with distinguishing between the concepts Art and Beauty , the proem section researches into the relationship among some related concepts The Sense of Art , The Aesthetic Feeling and The Aesthetic Ability .

在引论部分，本研究由区分艺术与美的概念入手，探究了艺术感觉与美感、审美能力等其他相关概念之间的关系。

The dissertation consists of three parts : the originative base , the connotative meaning and the current sense of " The Art of Living ", which was an integration of Lin 's culture view , outlook on life and aesthetic thinking .

本文主要分三部分：生活艺术论的形成之基点、内涵及当代意义。生活艺术论是林语堂文化观、人生观和审美观的集中体现。

If we see the literary history of traditional opera as static , one-dimensional history in the sense of literature of traditional operas , the performing history of traditional operas should be dynamic , three-dimensional one in the sense of art .

如果说戏曲文学史是静态的、平面的、文学意义上的戏曲史，那么戏曲演出史则是动态的、立体的、艺术意义上的戏曲史。